Jean-Léon Gérôme's Bashi-Bazouk (1868-69)is considered an Orientalist portrait because the artist staged the depiction of an Ottoman solider in a European studio.

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Jean-Léon Gérôme's Bashi-Bazouk (1868-69) is considered an Orientalist portrait because it depicts an Ottoman solider in a romanticized and exoticized way, which was a common theme of Orientalism in art. Additionally, the artist staged the painting in his European studio rather than in the Middle East, which further emphasizes the exoticization of the subject.

Jean-Léon Gérôme's Bashi-Bazouk (1868-69)is Considered an Orientalist Portrait Because the Artist