Deck 2: Line and Shape
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Deck 2: Line and Shape
1
Helen Frankenthaler's abstract Before the Caves may be described as ___________.
A) flat
B) full
C) amorphous
D) allegoric
E) textured
A) flat
B) full
C) amorphous
D) allegoric
E) textured
C
2
In works with ___________,the lines are completed by the viewer.
A) actual line
B) outline
C) implied line
D) curved line
E) heavy line
A) actual line
B) outline
C) implied line
D) curved line
E) heavy line
C
3
Edward Weston's Dunes,Oceano highlights the aesthetic possibilities of __________.
A) contour lines
B) outlines
C) colors
D) illusions
E) flat lines
A) contour lines
B) outlines
C) colors
D) illusions
E) flat lines
A
4
Compare and contrast Umberto Boccioni's Dynamism of a Cyclist with Dorothea Rockburne's Pascal's Provincial Letters.
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5
Name two different categories of shapes.
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6
_____________ are formed when intersecting or connected lines enclose space.
A) Textures
B) Compositions
C) Horizons
D) Volumes
E) Shapes
A) Textures
B) Compositions
C) Horizons
D) Volumes
E) Shapes
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7
The measure of a line refers to its ___________and its width.
A) scale
B) shape
C) hue
D) length
E) value
A) scale
B) shape
C) hue
D) length
E) value
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8
What inspired Picasso to create his groundbreaking painting known as Les Demoiselles d'Avignon?
A) Heavy machinery
B) African and Iberian art
C) Japanese art
D) Prehistoric cave paintings
E) Nature
A) Heavy machinery
B) African and Iberian art
C) Japanese art
D) Prehistoric cave paintings
E) Nature
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9
Horizontal lines suggest calm and _________.
A) stability
B) chaos
C) movement
D) illusion
E) roundness
A) stability
B) chaos
C) movement
D) illusion
E) roundness
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10
In Emily Mary Osborne's Nameless and Friendless,__________ visually connect and lead the viewer's eye around the composition.
A) horizontal lines
B) vertical lines
C) speeding vehicles and pavement
D) gestures and glances
E) sweeping and diagonal lines
A) horizontal lines
B) vertical lines
C) speeding vehicles and pavement
D) gestures and glances
E) sweeping and diagonal lines
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11
___________ creates the illusion of roundness or three dimensionality through the use of light and shadow on a two-dimensional surface.
A) Linear perspective
B) Shape
C) Color
D) Value
E) Modeling
A) Linear perspective
B) Shape
C) Color
D) Value
E) Modeling
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12
In art,a __________ can be defined as a moving dot.
A) space
B) shape
C) mass
D) line
E) contour
A) space
B) shape
C) mass
D) line
E) contour
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13
What term is sometimes used in place of the word modeling?
A) Fresco
B) Chiaroscuro
C) Mezzotint
D) Mandala
E) Tempera
A) Fresco
B) Chiaroscuro
C) Mezzotint
D) Mandala
E) Tempera
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14
What three terms are interrelated words used to define distinct areas of works of art and architecture?
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15
Three-dimensional shadows can be created by the use of dots and lines.List three methods for shading and contouring in this manner.
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16
Diagonal lines are often used to _______________.
A) imply movement and directionality
B) suggest stability
C) suggest assertiveness
D) imply heaviness and weight
E) suggest rigidity
A) imply movement and directionality
B) suggest stability
C) suggest assertiveness
D) imply heaviness and weight
E) suggest rigidity
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17
Light against dark or dark against light create visual differences in ___________.
A) scale
B) shape
C) hue
D) wavelength
E) value
A) scale
B) shape
C) hue
D) wavelength
E) value
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18
When an artist uses transparency it is also called __________.
A) linear perspective
B) value contrast
C) overlapping
D) relative size
E) afterimage
A) linear perspective
B) value contrast
C) overlapping
D) relative size
E) afterimage
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19
How does the architect Frank Gehry refer to the design of his Guggenheim Museum in Bilbao,Spain? What do others compare it to?
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20
The ____________ shape of an artistic composition is considered the ground.
A) biomorphic
B) positive
C) irregular
D) negative
E) complementary
A) biomorphic
B) positive
C) irregular
D) negative
E) complementary
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21
Discuss the use of psychological line in Mary Osborne's Nameless and Friendless.
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22
Explain the differences between contour and outline in Sandro Botticelli's the Birth of Venus and the Mona Lisa by Leonardo da Vinci.
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23
Explain the difference between actual mass and implied mass,and provide an artistic example of each.
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