Deck 8: Programs and Programming Basics
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Question
Unlock Deck
Sign up to unlock the cards in this deck!
Unlock Deck
Unlock Deck
1/71
Play
Full screen (f)
Deck 8: Programs and Programming Basics
1
The strategy of __________ is used to choose programs that appeal to the subsets of the mass audience most likely to buy the advertisers' products.
A)parsimony principle
B)shared use
C)syndication
D)targeting
E)bartering
A)parsimony principle
B)shared use
C)syndication
D)targeting
E)bartering
D
2
The term "psychographics" is used to describe the ________ of certain audiences.
A)achievement quotient
B)lifestyle and interests
C)physiological attributes
D)socioeconomic status
E)age and gender
A)achievement quotient
B)lifestyle and interests
C)physiological attributes
D)socioeconomic status
E)age and gender
B
3
Radio station dayparts include
A)drivetime.
B)prime time.
C)access time.
D)late fringe time.
E)early fringe time.
A)drivetime.
B)prime time.
C)access time.
D)late fringe time.
E)early fringe time.
A
4
In which daypart is stripping not a common practice for broadcast television networks?
A)Early fringe
B)Daytime
C)Late night
D)Prime time
E)Access time
A)Early fringe
B)Daytime
C)Late night
D)Prime time
E)Access time
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
5
The movement of viewers or listeners from one program to another is called
A)audience flow.
B)audience scheduling.
C)bridging.
D)grazing.
E)flipping.
A)audience flow.
B)audience scheduling.
C)bridging.
D)grazing.
E)flipping.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
6
When a television network places four situation comedies into a two-hour time period, this is a good example of __________ programming.
A)access
B)bridge
C)counter
D)strip
E)block
A)access
B)bridge
C)counter
D)strip
E)block
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
7
When a local independent station schedules situation comedies opposite an hour of network and local news programs, this is a good example of __________ programming.
A)continuity
B)bridge
C)counter
D)hammock
E)access
A)continuity
B)bridge
C)counter
D)hammock
E)access
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
8
The programming strategy of repetition is used most effectively by
A)cable networks.
B)commercial networks.
C)radio stations.
D)independent television stations.
E)affiliated television stations.
A)cable networks.
B)commercial networks.
C)radio stations.
D)independent television stations.
E)affiliated television stations.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
9
This scheduling strategy holds that successful programs may be scheduled anywhere because serious- minded fans will follow it.
A)LOP
B)Clustering
C)Appointment television
D)Viewer inertia
E)Grazing
A)LOP
B)Clustering
C)Appointment television
D)Viewer inertia
E)Grazing
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
10
Which of the following terms best describes the way most syndicated, half-hour, off-network programs are scheduled by local television stations?
A)Access
B)Hammock
C)Stripped
D)Block
E)Stunting
A)Access
B)Hammock
C)Stripped
D)Block
E)Stunting
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
11
The license fees charged to commercial networks by producers for the right to air a program
A)cover the full costs of production.
B)cover all costs except the producer's fee.
C)cover all costs except for program promotion.
D)cover all costs except for the stars' salaries.
E)rarely cover the full cost of production.
A)cover the full costs of production.
B)cover all costs except the producer's fee.
C)cover all costs except for program promotion.
D)cover all costs except for the stars' salaries.
E)rarely cover the full cost of production.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
12
Which type of programs do local stations like to air as off-network syndicated programs because they lend themselves to strip scheduling and effective promotion?
A)Dramatic series
B)Game shows
C)Situation comedies
D)Made-for-TV movies
E)Miniseries
A)Dramatic series
B)Game shows
C)Situation comedies
D)Made-for-TV movies
E)Miniseries
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
13
An off-network syndicated program is one that has been
A)rejected by the network's regular affiliate but broadcast by another station in the same market.
B)rejected by the network but acceptable for syndication.
C)provided by an affiliate for playback at a later time.
D)developed first by a local station and then moved to prime-time network status.
E)once broadcast by a network and now offered to individual stations on a syndicated basis.
A)rejected by the network's regular affiliate but broadcast by another station in the same market.
B)rejected by the network but acceptable for syndication.
C)provided by an affiliate for playback at a later time.
D)developed first by a local station and then moved to prime-time network status.
E)once broadcast by a network and now offered to individual stations on a syndicated basis.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
14
Upon obtaining this provision, a station gets the sole right to show a product within the buyer's own broadcast market for the term of the deal.
A)Exclusive broadcast rights
B)First-run syndication rights
C)Prime-time access rights
D)Fin/syn rights
E)Off-network rights
A)Exclusive broadcast rights
B)First-run syndication rights
C)Prime-time access rights
D)Fin/syn rights
E)Off-network rights
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
15
At one time, these rules severely limited network freedom to participate in production and ownership of prime-time programs or in their domestic syndication.
A)Syndex rules
B)First-run syndication rules
C)Prime-time access rules
D)Fin/syn rules
E)Off-network rules
A)Syndex rules
B)First-run syndication rules
C)Prime-time access rules
D)Fin/syn rules
E)Off-network rules
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
16
Game shows and magazine-news shows that air during access time, such as Jeopardy!, Hard Copy, and Entertainment Tonight, are examples of
A)first-run syndication.
B)off-network syndication.
C)original licensing.
D)fin-syn syndication.
E)on-network syndication.
A)first-run syndication.
B)off-network syndication.
C)original licensing.
D)fin-syn syndication.
E)on-network syndication.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
17
Radio stations may purchase ready-made syndicated country music selections from a(n)
A)feature syndicator.
B)format syndicator.
C)network.
D)off-network syndicator.
E)on-network syndicator.
A)feature syndicator.
B)format syndicator.
C)network.
D)off-network syndicator.
E)on-network syndicator.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
18
Programs produced specifically for the syndication market are called
A)theatricals.
B)local offers.
C)first-run programs.
D)infotainment programs.
E)affiliate offers.
A)theatricals.
B)local offers.
C)first-run programs.
D)infotainment programs.
E)affiliate offers.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
19
Most syndicated feature radio programs
A)are produced especially for different radio formats.
B)are off-network reruns.
C)can have multiple plays on a station over a two-year time period.
D)are produced for specific stations to provide local appeal.
E)provide sports programming only.
A)are produced especially for different radio formats.
B)are off-network reruns.
C)can have multiple plays on a station over a two-year time period.
D)are produced for specific stations to provide local appeal.
E)provide sports programming only.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
20
The term __________ refers either to the organization of a single program (CBS Evening News) or to the organization of an entire service (CNN as all news).
A)format
B)formula
C)genre
D)series
E)schema
A)format
B)formula
C)genre
D)series
E)schema
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
21
The major television networks rely primarily on __________ for news footage.
A)international sources
B)their own staffs
C)other networks
D)amateur reporters
E)local stations
A)international sources
B)their own staffs
C)other networks
D)amateur reporters
E)local stations
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
22
Most broadcast television network sports broadcasts are produced by
A)the networks themselves.
B)production companies that specialize in televising sports.
C)a shared production pool made up of the four major commercial networks.
D)ESPN.
E)PrimeSports.
A)the networks themselves.
B)production companies that specialize in televising sports.
C)a shared production pool made up of the four major commercial networks.
D)ESPN.
E)PrimeSports.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
23
MTV's success includes all of the following except
A)changing the way people listen to music.
B)the resurgence in variety programs.
C)paying for exclusive windows for some videos.
D)other TV programs adopting the MTV "look."
E)rescuing the record industry from the early 1980's sales slump.
A)changing the way people listen to music.
B)the resurgence in variety programs.
C)paying for exclusive windows for some videos.
D)other TV programs adopting the MTV "look."
E)rescuing the record industry from the early 1980's sales slump.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
24
When a new television series is created and stars characters who played secondary roles on a successful television series, the shows is commonly referred to as a
A)clone.
B)spin-off.
C)stunt.
D)telenovela.
E)follow-up.
A)clone.
B)spin-off.
C)stunt.
D)telenovela.
E)follow-up.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
25
Originally intended to promote record sales, __________ are a TV genre in their own right.
A)variety programs
B)music videos
C)home shopping networks
D)talk shows
E)interactive game shows
A)variety programs
B)music videos
C)home shopping networks
D)talk shows
E)interactive game shows
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
26
Music networks such as Westwood One
A)have been replaced by radio network talk shows.
B)offer local and regional news to their affiliates.
C)produce programs for specific stations for an extra fee.
D)offer programs in an "all or none" package, in a practice resembling block booking.
E)offer numerous music formats for specialized audiences.
A)have been replaced by radio network talk shows.
B)offer local and regional news to their affiliates.
C)produce programs for specific stations for an extra fee.
D)offer programs in an "all or none" package, in a practice resembling block booking.
E)offer numerous music formats for specialized audiences.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
27
The primary reason soap operas and game shows are a staple of daytime television is because they
A)are inexpensive to produce.
B)attract a large, demographically varied audience.
C)allow for flexible scheduling.
D)can be shown as reruns.
E)can be syndicated for later replay on cable.
A)are inexpensive to produce.
B)attract a large, demographically varied audience.
C)allow for flexible scheduling.
D)can be shown as reruns.
E)can be syndicated for later replay on cable.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
28
More radio stations play __________ music than any other type of music except rock.
A)adult contemporary
B)beautiful
C)country
D)contemporary hit
E)hip-hop
A)adult contemporary
B)beautiful
C)country
D)contemporary hit
E)hip-hop
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
29
This most popular informational format occurs mostly on commercial AM stations.
A)All-sports
B)Talk radio
C)Educational radio
D)Community radio
E)Religious
A)All-sports
B)Talk radio
C)Educational radio
D)Community radio
E)Religious
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
30
Many local television stations, notably those in the major markets, have extended the length of their evening newscasts because
A)news has become a popular and profitable commodity.
B)there is more news to report.
C)FCC regulations require longer newscasts.
D)newscasts are less expensive to produce than other kinds of programs.
E)they want to counter news programs offered on cable systems.
A)news has become a popular and profitable commodity.
B)there is more news to report.
C)FCC regulations require longer newscasts.
D)newscasts are less expensive to produce than other kinds of programs.
E)they want to counter news programs offered on cable systems.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
31
A 24-hour major television news service is provided by
A)Lifetime.
B)ESPN.
C)PBS.
D)WTBS.
E)CNN
A)Lifetime.
B)ESPN.
C)PBS.
D)WTBS.
E)CNN
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
32
Network television programmers value sports programs primarily because
A)they target the hard-to-reach middle-class male audience.
B)they fill the need for weekend programming.
C)of their low cost.
D)of their ability to entice lucrative advertising.
E)the programs are predictable.
A)they target the hard-to-reach middle-class male audience.
B)they fill the need for weekend programming.
C)of their low cost.
D)of their ability to entice lucrative advertising.
E)the programs are predictable.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
33
In 1996 the FCC directed broadcasters to meet children's television programming needs by carrying a minimum of __________ hours of children's programs weekly between 7 a.m.and 10 p.m.
A)two
B)three
C)four
D)Five
E)six
A)two
B)three
C)four
D)Five
E)six
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
34
Which of the following is not an issue regarding children's television?
A)Sex and violence on television.
B)Shortage of age-specific programs.
C)Lack of suitable role models.
D)Cable channels specifically aimed at children.
E)Exploitation of children by advertisers.
A)Sex and violence on television.
B)Shortage of age-specific programs.
C)Lack of suitable role models.
D)Cable channels specifically aimed at children.
E)Exploitation of children by advertisers.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
35
Producers often use the Internet for all of the following except to
A)supplement content provided through other channels.
B)create new content for consumers.
C)"repurpose" existing programming.
D)provide video programming comparable to VHF television.
E)provide audio programming comparable to AM radio.
A)supplement content provided through other channels.
B)create new content for consumers.
C)"repurpose" existing programming.
D)provide video programming comparable to VHF television.
E)provide audio programming comparable to AM radio.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
36
The most cost-efficient way of advertising television programs is
A)local newspaper ads.
B)on-air promotional spots.
C)radio advertising.
D)television program guides.
E)magazine ads.
A)local newspaper ads.
B)on-air promotional spots.
C)radio advertising.
D)television program guides.
E)magazine ads.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
37
Station announcements that promote an entire series are referred to as
A)specific.
B)episodic.
C)voice-overs.
D)teasers.
E)generic.
A)specific.
B)episodic.
C)voice-overs.
D)teasers.
E)generic.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
38
The phrase "vast wasteland" comes from an address by __________ to the National Association of Broadcasters in 1961.
A)Freida Hennock
B)Mark Fowler
C)John
D)Newton Minow
E)Jesse Jackson
A)Freida Hennock
B)Mark Fowler
C)John
D)Newton Minow
E)Jesse Jackson
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
39
The term most often used to describe the appeal of the majority of commercial programs is __________ taste.
A)bad
B)critical
C)high
D)popular
E)diverse
A)bad
B)critical
C)high
D)popular
E)diverse
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
40
In the final analysis, the television industry is in the business of selling people to advertisers.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
41
Radio has further refined the process of targeting by segmentation, or defining extremely narrow subsets of the potential radio audience.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
42
In 1996 no top-rated morning or afternoon drive-time broadcasts were on AM stations in the nation's ten largest markets.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
43
Use of "seamless," commercial-free transitions from one show to another is called stripping.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
44
Remote control devices and video recorders have made tracking audience flow more difficult.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
45
If a network decides to air a new program during the middle of the season and to schedule the program between two strong programs, it is using the bridging scheduling strategy.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
46
Radio programmers use the concept of a radio station format clock in scheduling.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
47
Network exposure for programs makes them highly salable and profitable in domestic syndication markets.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
48
When cable systems, television stations, and networks carry syndicated programs, they can do so indefinitely because they usually purchase all rights to the shows.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
49
Magazine and tabloid-news shows that air during access time, such as "Entertainment Tonight," are examples of off-network syndication.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
50
Soap opera fans usually do not mind disruption in their daytime programs for coverage of special events.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
51
In television, access time is the hour just after a network's prime-time schedule.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
52
Programs can be classified according to several systems, including content, format, and genre.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
53
Infotainment programs take on an aura of information but aim primarily at providing entertainment.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
54
In the future, more in-house production and distribution of entertainment programs will exist.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
55
At the local level, television stations must rely solely on their network affiliate for national and international news stories.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
56
Radio networks often pay compensation to major-market affiliates, but radio syndicators usually charge for their programs.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
57
The addressable cable technology that threatens over-the-air delivery of sporting events is PPV.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
58
ESPN devotes the major portion of its programs to children.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
59
Networks usually produce mega-sports events such as the World Series and the Super Bowl.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
60
The interactive capacity of the Internet allows broadcast and cable producers to better target the products they offer on their broadcast and cable channels.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
61
Pay-cable networks schedule elaborately produced billboards of upcoming programs as filler between the end of one show and the start of the next.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
62
Contrast network prime-time programming with programs found in daytime, early morning, late night, and weekend time slots.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
63
Describe the various classifications in programming: local, network, syndicated, format, and genre.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
64
Describe these scheduling strategies: counterprogramming, block programming, stripping, leading-in, leading-out, hot switching, hammocking, bridging, repetition, and stunting.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
65
What is the difference between the concepts of LOP and appointment television?
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
66
Describe the radio programming process.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
67
How do exclusive broadcast rights affect what viewers receive on television?
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
68
Describe the roles networks and local stations play in today's radio programming mix.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
69
Discuss current issues surrounding one of the following program types: news, sports, or children's programs.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
70
Outline the six-category, age-based rating system for programs.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck
71
Is television a "vast wasteland"? Defend your answer.
Unlock Deck
Unlock for access to all 71 flashcards in this deck.
Unlock Deck
k this deck